By Rubberstamp, on October 14th, 2011% A refreshing tamil movie in recent times! Director M.Saravanan and Producer A.R.Murugadoss should be lauded for conveying a subtle yet important message on road safety (that is absolutely lagging in India) and organ donation.
I cannot count the days that I had complained about lack of concern for fellow drivers. It is quite appalling considering . . . → Read More: Engeyum Eppothum (எங்கேயும் எப்போதும்)
By Rubberstamp, on July 23rd, 2011% Cheers to S.P. Charan and Kumara Raja! It is a shame that I couldn’t watch this movie in a Cinema hall.
By Rubberstamp, on July 3rd, 2011% Watched “Oram Po” after a long time. In fact my spouse recommended the movie to me. The husband and wife Director pair, Pushkar & Gayathri, have brought out a very interesting presentation to slim story. The bottom line is to keep the audience entertained with “to the point” dialogues and no nonsense characters with the . . . → Read More: Oram Po
By Rubberstamp, on June 29th, 2011% Watched Karu. Pazhaniappan’s “Manthira Punnagai”. Refreshingly good movie! It has its own minuses, barring it, the Director has offered an interesting movie. Karu. Pazhaniappan’s last two attempts involve stories that deal with human psychology.
By Rubberstamp, on May 19th, 2011% Watched Ko at “Tamil Jeya” Theatre Complex at Madurai. In one word, it is a disappointing movie from K.V.Anand.
Although K.V. has leaned towards the commercial format presentation, I wish he could have had some touch of realism in the story. Acting is amateurish – apart from Jeeva – who is at his usual elements.
. . . → Read More: Ko = Kodumai
By Rubberstamp, on May 7th, 2011% “When human beings are pushed to their limits and when the threshold breaks, they can do things that are generally not expected of them”
This forms the crux of Myskin’s latest movie – Yuddham Sei. The movie in general is in complete contrast to his earlier Nandhalala and can be rated along the lines of . . . → Read More: Myskin – the battle within
By Rubberstamp, on January 26th, 2011% In spite of its flaws, Aadukalam stands out for its handling. Vetrimaaran’s pattern of non-linear presentation, adherence to neorealism and large emphasis on Dhanush, pays off!
Discounting similarities such as narrative style of Protagonist’s love for his girl (especially, characters from contrasting background), the cast selection is fantastic and do justice to their roles. In . . . → Read More: Aadukalam – Review
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